Centar za
ženske studije
Zagreb

28.03.18

Obavijest: Kreativni kritički laboratorij

Obavještavamo sve zainteresirane da smo zbog velikog broja prijava za modul “Kreativni kritički laboratorij-feminističke teorije i prakse“, koji Centar za ženske studije radi u suradnji s Akademijom likovnih umjetnosti,  zaključili 27.3. premda u pozivu stoji rok 30.3. Hvala na razumijevanju.

Autor
Centar
Datum objave
28.03.18
Kategorija
Novosti
Oznake

Vezane vijesti

22.01.20

Connecting Art Histories

U sklopu istraživačkog seminara „Rodne politike i umjetnost europskih socijalističkih država“, koji se pri Institutu za povijest umjetnosti odvija kao...

Novosti, Obrazovanje

Otvori sve vijesti

WP_Query Object ( [query] => Array ( [post_type] => post [posts_per_page] => 3 [ignore_sticky_posts] => 1 [category__in] => Array ( [0] => 26 ) [post__not_in] => Array ( [0] => 3312 ) ) [query_vars] => Array ( [post_type] => post [posts_per_page] => 3 [ignore_sticky_posts] => 1 [category__in] => Array ( [0] => 26 ) [post__not_in] => Array ( [0] => 3312 ) [error] => [m] => [p] => 0 [post_parent] => [subpost] => [subpost_id] => [attachment] => [attachment_id] => 0 [name] => [pagename] => [page_id] => 0 [second] => [minute] => [hour] => [day] => 0 [monthnum] => 0 [year] => 0 [w] => 0 [category_name] => novosti [tag] => [cat] => 26 [tag_id] => [author] => [author_name] => [feed] => [tb] => [paged] => 0 [meta_key] => [meta_value] => [preview] => [s] => [sentence] => [title] => [fields] => [menu_order] => [embed] => [category__not_in] => Array ( ) [category__and] => Array ( ) [post__in] => Array ( ) [post_name__in] => Array ( ) [tag__in] => Array ( ) [tag__not_in] => Array ( ) [tag__and] => Array ( ) [tag_slug__in] => Array ( ) [tag_slug__and] => Array ( ) [post_parent__in] => Array ( ) [post_parent__not_in] => Array ( ) [author__in] => Array ( ) [author__not_in] => Array ( ) [suppress_filters] => [cache_results] => 1 [update_post_term_cache] => 1 [lazy_load_term_meta] => 1 [update_post_meta_cache] => 1 [nopaging] => [comments_per_page] => 50 [no_found_rows] => [order] => DESC ) [tax_query] => WP_Tax_Query Object ( [queries] => Array ( [0] => Array ( [taxonomy] => category [terms] => Array ( [0] => 26 ) [field] => term_id [operator] => IN [include_children] => ) ) [relation] => AND [table_aliases:protected] => Array ( [0] => wp_term_relationships ) [queried_terms] => Array ( [category] => Array ( [terms] => Array ( [0] => 26 ) [field] => term_id ) ) [primary_table] => wp_posts [primary_id_column] => ID ) [meta_query] => WP_Meta_Query Object ( [queries] => Array ( ) [relation] => [meta_table] => [meta_id_column] => [primary_table] => [primary_id_column] => [table_aliases:protected] => Array ( ) [clauses:protected] => Array ( ) [has_or_relation:protected] => ) [date_query] => [request] => SELECT SQL_CALC_FOUND_ROWS wp_posts.ID FROM wp_posts LEFT JOIN wp_term_relationships ON (wp_posts.ID = wp_term_relationships.object_id) WHERE 1=1 AND wp_posts.ID NOT IN (3312) AND ( wp_term_relationships.term_taxonomy_id IN (26) ) AND wp_posts.post_type = 'post' AND (wp_posts.post_status = 'publish' OR wp_posts.post_status = 'acf-disabled') GROUP BY wp_posts.ID ORDER BY wp_posts.post_date DESC LIMIT 0, 3 [posts] => Array ( [0] => WP_Post Object ( [ID] => 4284 [post_author] => 5 [post_date] => 2020-01-22 12:07:34 [post_date_gmt] => 2020-01-22 11:07:34 [post_content] => U sklopu istraživačkog seminara „Rodne politike i umjetnost europskih socijalističkih država“, koji se pri Institutu za povijest umjetnosti odvija kao dio programa Povezivanje povijesti umjetnosti (Connecting Art Histories) američke Fondacije Getty, u srijedu 22. siječnja 2020. održat će se javna predavanja:
  • Brigitta Isabella: Rewriting Bandung Solidarity from Below
  • Nomusa Makhubu: Imbokodo – Understanding the Construction of Gender in South Africa through Visual Art
Predavanja će se održati u Centru za ženske studije (Dolac 8, Zagreb) s početkom u 17:00 sati. Program je na engleskom jeziku i otvoren je za javnost. - Brigitta Isabella se u svom istraživačkom radu uglavnom bavi temama vezanim uz geopoetičke aspekte kretanja, migracija i mobilnosti, pritom se koristeći kritičkim teorijama i metodologijama povijesti umjetnosti. Inicijatorica je projekta „Od Bandung-a do Berlina“ (http://frombandungtoberlin.com), umjetničke istraživačke platforme namijenjene promišljanju i spekuliranju unutar povijesnih i geopolitičkih koordinata konferencije u Bandungu iz 1955. i pada Berlinskog zida iz 1989. godine. Rad Brigitte Isabelle vezan je uz KUNCI Study Forum & Collective, istraživački prostor sa sjedištem u Yogyakarti, a članica je i translokalnog uredničkog kolektiva časopisa Southeast of Now: Directions in Contemporary and Modern Art In Asia. - Nomusa Makhubu je povjesničarka umjetnosti i umjetnica sa Sveučilišta Cape Town u Južnoafričkoj Republici. Dobitnica je nagrade ABSA L'Atelier Gerard Sekoto (2006.) i Prix du Studio National des Arts Contemporain, Le Fresnoy (2014.). Makhubu je predsjedateljica Južnoafričke umjetničke inicijative (Africa South Art Initiative – ASAI). Članica je Južnoafričke akademije znanosti za mlade (South African Young Academy of Science – SAYAS), suradnica organizacije American Council of Learned Societies (ACLS-AHP) i bivša stipendistica Umjetničke fondacije Omooba Yemisi Adedoyin Shyllon (OYASAF) u Lagosu (Nigerija). Makhubu je bila članicom povjerenstva Nacionalnog festivala umjetnosti, a dobitnica je i nagrade CAA-Getty za 2014. godinu. Suuređivala je tematsko izdanje časopisa Third Text pod nazivom „Umjetnost promjene“ (The Art of Change, 2013.) te ko-kurirala međunarodnu izložbu „Fantastično“ (Fantastic, 2015.). Njezin je trenutni istraživački fokus vezan uz afričku popularnu kulturu, fotografiju, intervencionizam, živu umjetnost i društveno angažiranu umjetnost. Na Sveučilištu Cape Town u Južnoj Africi predaje povijest umjetnosti i vizualnu kulturu. - Kontakt: Ljiljana Kolešnik [post_title] => Connecting Art Histories [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => connecting-art-histories [to_ping] => [pinged] => [post_modified] => 2020-01-27 00:44:16 [post_modified_gmt] => 2020-01-26 23:44:16 [post_content_filtered] => [post_parent] => 0 [guid] => http://zenstud.hr/?p=4284 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 4267 [post_author] => 5 [post_date] => 2019-12-30 22:49:11 [post_date_gmt] => 2019-12-30 21:49:11 [post_content] => Počastite se feminističkim štivom i ove zime! Čekaju Vas nova izdanja romana Virginije Woolf, zanimljive i korisne feminističko teorijske čitanke, zbornici i časopis Treća! Pripremile smo vam veeeelike zimske popuste na cjelokupni izdavački program Centra za ženske studije, svojedobno pokrenut sa željom da se popuni praznina u ponudi feminističke literature na hrvatskome jeziku te potakne objavljivanje domaćih autora_ica koji_e se bave feminističkom teorijom i rodnim studijima. Dosad smo objavile više od pedeset naslova iz područja feminističke teorije i znanosti, priručnika i udžbenika, zbornika sa znanstvenih skupova te knjiga nastalih kao rezultat istraživanja i projekata. Posebni popust na pakete:
  • Virginia Woolf
  • Zbornici sa znanstvenog skupa Dani Marija Jurić Zagorke
  • Biblioteka Feminizmi u transnacionalnoj perspektivi
  • Časopis Treća
Detaljni cjenik nalazi se OVDJE. Za sve informacije i narudžbe obratite nam se na mail suzana.komusar@zenstud.hr Ponuda traje od 31. prosinca 2019. do 31. siječnja 2020. [post_title] => Zimska rasprodaja knjiga izdavačkog programa Centra za ženske studije [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => zimska-rasprodaja-knjiga-izdavackog-programa-centra-za-zenske-studije-2 [to_ping] => [pinged] => [post_modified] => 2019-12-30 22:49:11 [post_modified_gmt] => 2019-12-30 21:49:11 [post_content_filtered] => [post_parent] => 0 [guid] => http://zenstud.hr/?p=4267 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 4230 [post_author] => 5 [post_date] => 2019-12-06 16:24:10 [post_date_gmt] => 2019-12-06 15:24:10 [post_content] => Beyond the Ruins of Capitalism: Stolen Concepts, Deep Silences, Resurfaced Frictions (Dubrovnik, Inter-University Centre, 25 – 29 May 2020 )   Course Directors: Silvana Carotenuto, University of Naples “L’Orientale” Lada Čale Feldman, University of Zagreb Francesca Maria Gabrielli, University of Zagreb Elissa Helms, Central European University Nadia Jones-Gailani, Central European University Sandra Prlenda, Centre for Women’s Studies, Zagreb Renata Jambrešić Kirin, Institute of Ethnology and Folklore Research, Zagreb Durre S. Ahmed, Centre for the Study of Gender and Culture, Lahore   Course Description: Before her death, feminist author and activist Kate Millet reflected upon her lifetime struggle with abject poverty as she was increasingly marginalized in the academy. Asking her readers, "who stole feminism?", Millet voiced her anxieties that the feminist movement had been hijacked from within (1998). Her question continues to remain relevant today as we witness the growing oppression, silencing, and policing of those on the margins of academia (and beyond). The rise of attacks against 'gender ideology', particularly from the clerical edifice, demands a revisiting and rethinking of historical debates and contemporary engagements in feminist contributions across all disciplines. By highlighting poverty, urban deterioration, economic and ecological crises, the "ruins of capitalism" (Anna Lowenhaupt Tsing, 2015) underscores the inability of capitalist society to protect its citizens and its cities. As national economic imperatives clash with the demands of globalized capital, we face the terrifying realities of late capitalism with the rise in viral pandemics, ecological destruction, warfare, or deindustrialization. Bearing witness to that, we would like to explore stolen concepts within feminist knowledge production, as well as the deep silences informed by the erasure of alternative genealogies of thought. By exploring the frictions in both traditions and epistemologies of feminist theory and engagement, can we reveal internal elements of epistemic violence as feminist fracture across identity and political lines? The course intends to study such violence and, at the same time, to trace the elements of resistance and refusal of nihilism and self-destruction that seem to be haunting women everywhere, with an attention also to the postcolonial milieu, in terms of worldly migration, diasporic experience, disseminated exile and displacement. We would like to understand the imposed failures and, at the same time, to intersect the theories and practices of feminism engagement that value 'optimistic’, affirmative, productive, theoretical, communal, and political new framings of life. In this sense, our focus will go to the counter-capitalist assemblages, the open-ended gatherings of potential herstories, the multiple and productive social and cultural rhythms that occur in the peripheries of capitalistic production, the forms of survival both in everyday contests or in forms of creative imagination, the feeling with the body and the senses, the changes within the specific circumstances of or with disturbed and contaminated human and non-human landscapes. We welcome proposals for papers, but we are also open to proposals for round tables, performance-lectures or other alternative forms and methodologies of sharing and producing knowledge. Proposals may consider some of the following issues:
  • the ambivalent impact of early capitalism on female agency and thought
  • humanisms, abolitionism and liberalism vs. feminist project
  • the feminist critique of theology
  • the historical rise of the nation and the limits and/or capacities of ‘political sisterhood’
  • the ‘ruins of socialism’ vis-à-vis the ‘ruins of capitalism’
  • the notions of 'peripheries' and 'alternative margins' vs 'centers' of capitalistic productions
  • postcolonial theories of philosophical engagement with worldly displacement and global dissemination
  • the analysis of 'friction’, meaning diverse and conflictual social interactions, 'encounters of difference'
  • feminist theories of the Anthropocene and feminist political alliances around ecological complexity
  • collaborative co-living of different species
  • the feminist materialistic ideas of 'latent commons' and 'third nature' (Tsing)
  Eligibility: IUC courses are conducted at postgraduate level. All interested postgraduate students may apply to participate, although the course targets young scholars and postgraduate students with a defined interest in women’s/gender studies, transnational studies, philosophy, sociology, literary and cultural studies, postcolonialism, or anthropology. The course will be limited to 25 participants (15 students) in order to provide sufficient space for discussion, seminar work and student presentations. Participants must seek funding from their own institutions for the costs of travel, lodging and meals. Limited financial support is available for participants from parts of Eastern Europe and some third countries (please see http://www.iuc.hr/iuc-support.php). The IUC requires a payment of 50 EUR for the Course fee. The working language of the course is English.   Application Procedure: Please submit a proposal consisting of a short narrative describing your interest in the topic and your CV. Place all current contact information at the top of your CV. Send submissions by e-mail to fmgabrie@ffzg.hr (Francesca Maria Gabrielli). Use the subject: IUC Dubrovnik 2020. The proposal deadline is February 1st, 2020. [post_title] => 14th POSTGRADUATE COURSE FEMINISMS IN A TRANSNATIONAL PERSPECTIVE [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 14th-postgraduate-course-feminisms-in-a-transnational-perspective [to_ping] => [pinged] => [post_modified] => 2019-12-18 11:16:15 [post_modified_gmt] => 2019-12-18 10:16:15 [post_content_filtered] => [post_parent] => 0 [guid] => http://zenstud.hr/?p=4230 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 3 [current_post] => -1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 4284 [post_author] => 5 [post_date] => 2020-01-22 12:07:34 [post_date_gmt] => 2020-01-22 11:07:34 [post_content] => U sklopu istraživačkog seminara „Rodne politike i umjetnost europskih socijalističkih država“, koji se pri Institutu za povijest umjetnosti odvija kao dio programa Povezivanje povijesti umjetnosti (Connecting Art Histories) američke Fondacije Getty, u srijedu 22. siječnja 2020. održat će se javna predavanja:
  • Brigitta Isabella: Rewriting Bandung Solidarity from Below
  • Nomusa Makhubu: Imbokodo – Understanding the Construction of Gender in South Africa through Visual Art
Predavanja će se održati u Centru za ženske studije (Dolac 8, Zagreb) s početkom u 17:00 sati. Program je na engleskom jeziku i otvoren je za javnost. - Brigitta Isabella se u svom istraživačkom radu uglavnom bavi temama vezanim uz geopoetičke aspekte kretanja, migracija i mobilnosti, pritom se koristeći kritičkim teorijama i metodologijama povijesti umjetnosti. Inicijatorica je projekta „Od Bandung-a do Berlina“ (http://frombandungtoberlin.com), umjetničke istraživačke platforme namijenjene promišljanju i spekuliranju unutar povijesnih i geopolitičkih koordinata konferencije u Bandungu iz 1955. i pada Berlinskog zida iz 1989. godine. Rad Brigitte Isabelle vezan je uz KUNCI Study Forum & Collective, istraživački prostor sa sjedištem u Yogyakarti, a članica je i translokalnog uredničkog kolektiva časopisa Southeast of Now: Directions in Contemporary and Modern Art In Asia. - Nomusa Makhubu je povjesničarka umjetnosti i umjetnica sa Sveučilišta Cape Town u Južnoafričkoj Republici. Dobitnica je nagrade ABSA L'Atelier Gerard Sekoto (2006.) i Prix du Studio National des Arts Contemporain, Le Fresnoy (2014.). Makhubu je predsjedateljica Južnoafričke umjetničke inicijative (Africa South Art Initiative – ASAI). Članica je Južnoafričke akademije znanosti za mlade (South African Young Academy of Science – SAYAS), suradnica organizacije American Council of Learned Societies (ACLS-AHP) i bivša stipendistica Umjetničke fondacije Omooba Yemisi Adedoyin Shyllon (OYASAF) u Lagosu (Nigerija). Makhubu je bila članicom povjerenstva Nacionalnog festivala umjetnosti, a dobitnica je i nagrade CAA-Getty za 2014. godinu. Suuređivala je tematsko izdanje časopisa Third Text pod nazivom „Umjetnost promjene“ (The Art of Change, 2013.) te ko-kurirala međunarodnu izložbu „Fantastično“ (Fantastic, 2015.). Njezin je trenutni istraživački fokus vezan uz afričku popularnu kulturu, fotografiju, intervencionizam, živu umjetnost i društveno angažiranu umjetnost. Na Sveučilištu Cape Town u Južnoj Africi predaje povijest umjetnosti i vizualnu kulturu. - Kontakt: Ljiljana Kolešnik [post_title] => Connecting Art Histories [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => connecting-art-histories [to_ping] => [pinged] => [post_modified] => 2020-01-27 00:44:16 [post_modified_gmt] => 2020-01-26 23:44:16 [post_content_filtered] => [post_parent] => 0 [guid] => http://zenstud.hr/?p=4284 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 375 [max_num_pages] => 125 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => 1 [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => 1 [is_tag] => [is_tax] => [is_search] => [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_404] => [is_embed] => [is_paged] => [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_posts_page] => [is_post_type_archive] => [query_vars_hash:WP_Query:private] => f99809748b99253ab738e71425e91bcd [query_vars_changed:WP_Query:private] => [thumbnails_cached] => [stopwords:WP_Query:private] => [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) )